The first of what archaeologist Barbara Deppert-Lippitz calls the
"most sensational finds of the last century" surfaced not in a museum
but at Christie's in New York.
Among more than a hundred pieces of ancient jewelry for sale on December
8, 1999, was Lot 26, a spiraling, snake-shaped gold bracelet that the
auction house identified as a "massive Greek or Thracian gold armband."
Christie's estimated it would sell for as much as $100,000. When the
bidding stalled at $65,000, the sale was called off—and the bracelet and
its owner disappeared back into the shadowy underworld of ancient
artifacts.
It took years for archaeologists and law enforcement officials in Romania to connect the armband to reports of looting in the country's central mountains. Though it has never been recovered, Lot 26 set off an international search to recover the lost heirlooms of Dacia, an empire that was once a mighty rival to ancient Rome.
It took years for archaeologists and law enforcement officials in Romania to connect the armband to reports of looting in the country's central mountains. Though it has never been recovered, Lot 26 set off an international search to recover the lost heirlooms of Dacia, an empire that was once a mighty rival to ancient Rome.
The Treasure Hunt
After nearly a decade of sleuthing by everyone from FBI agents to
Interpol investigators and Romanian prosecutors, more than a dozen
similar bracelets have been found, along with hundreds of gold and
silver coins. Their discovery has led to new insights into Dacian
society and religion.
Half a world away, reports of the auction—and a photo of the bracelet
in the glossy auction catalog—caught the attention of Ernest
Oberländer-Târnoveanu. Now head of the National History Museum of Romania,
he had been tracking rumors of treasure hunting in and around an
ancient city called Sarmizegetusa for nearly a decade. To him, Lot 26
called to mind rumors that the site had yielded rich returns for
looters.
Here is the Romanian Thesaurus at the National History Museum Bucharest
Here is the Romanian Thesaurus at the National History Museum Bucharest
Sarmizegetusa, high in the central mountains, was once the capital
and sacred center of the Dacians, a civilization crushed by the Roman
Emperor Trajan in two bloody wars more than 1,900 years ago. The
victory, Roman chroniclers boasted, yielded one of the largest treasures
the ancient world had ever known: half a million pounds of gold and a
million pounds of silver.
After his victory, Trajan took the spoils to Rome, where they paid
for his famous forum. In that same complex, the Roman Senate erected a
column dedicated to Trajan and illustrating the story of the wars.
Sarmizegetusa was leveled and forgotten for centuries. But stories of
Dacia's gold lived on, inspiring generations of peasants who lived
nearby to dig in the steep valleys.
It wasn't until Romania's communist dictatorship collapsed in 1989
that their dreams of striking it rich came true. Groups of local
treasure hunters started using metal detectors (unavailable in communist
times) to hunt for artifacts in the thick forests at the rugged site.
Romanian authorities say there was nothing secretive about their
plundering: All through the 1990s, thieves bought timber-clearing
permits from corrupt officials as a cover, then used metal detectors to
search the Dacian capital at their leisure.
The looters brought motorcycles, off-road vehicles, and small
backhoes up the winding dirt road leading to the ancient settlement to
claw their finds out of the rocky, root-laced soil. "It was a gold
rush," says Oberländer-Târnoveanu. "They worked quite undisturbed."
The full extent of the looting became clear years later, when some of
the illegal excavators were arrested and confessed to police. The Lot
26 bracelet, they told police, was found in 1998, on top of a hoard of a
thousand gold coins. To celebrate, the looters carved "Eureka" in the
bark of a nearby tree—and kept digging. They showed no concern that
they'd be caught: Another tree trunk bore an arrow and helpful
directions: "Pits, 40 meters."
A small team of treasure hunters hit the mother lode in May 2000,
according to Romanian police. Their metal detector pinged over a stone
slab about two feet wide, embedded in a steep hillside. Underneath, in a
small chamber made of flat stones propped against each other, they
found ten spiraling, elaborately decorated Dacian bracelets—all solid
gold. One weighed a hefty two and a half pounds (1.2 kilograms).
Over the next two years, Romanian police say, looters found at least
14 more bracelets at Sarmizegetusa. "They had unconventional thinking,
and they were rewarded," says Oberländer-Târnoveanu. "No archaeologist
is looking for something on a slope of 75 degrees sharpness."
Bringing It Home
Sarmizegetusa's stolen gold was nearly lost. Recovering it involved
authorities in Europe and the United States and a decade of dogged
sleuthing by Romanian prosecutors and museum curators.
In all, Romanian authorities have recovered 13 hammered gold
bracelets, more than 27.5 pounds (12.5 kilograms) of gleaming reddish
gold. The recovered bracelets—now on display in Bucharest, the
capital—are the only ones of their kind discovered in Romania. At least
another dozen, including the one still known as Lot 26, remain missing.
The gold found at Sarmizegetusa has led archaeologists to reassess
the religion and culture of the vanished Dacians. For one, the finds
make Rome's boasts about the vast quantities of Dacian gold far more
credible. If such treasures are still to be found after 1,900 years,
what riches might Sarmizegetusa have contained on the eve of its
destruction?
"They're some of the most sensational finds of the last century,"
says Deppert-Lippitz, an independent expert in ancient gold who is
licensed to assess antiquities by the German Chamber of Commerce and Industry in Frankfurt. "We didn't know anything about Dacian religion, and now we have a whole new interpretation."
First, though, the gold had to be tracked down. The bracelets, and
thousands of crudely minted silver and gold coins found with them, began
surfacing on the international market almost immediately after they
were found in Sarmizegetusa's soil in the late 1990s, offered to
collectors privately and at auctions in New York, Paris, and Zurich.
Chicago numismatist and coin dealer Harlan Berk remembers being baffled initially by the coins. "When they first came out, people were asking $10,000 a coin," he says. "I thought they were fake. Then they started coming out in greater numbers, and the price dropped to about $300 a coin." Berk says he bought a few dozen, selling them to clients through his catalog.
Chicago numismatist and coin dealer Harlan Berk remembers being baffled initially by the coins. "When they first came out, people were asking $10,000 a coin," he says. "I thought they were fake. Then they started coming out in greater numbers, and the price dropped to about $300 a coin." Berk says he bought a few dozen, selling them to clients through his catalog.
Because coins are hard to trace and often stay in private collections
for decades or even centuries, Berk didn't look into their provenance
(their origins or history of ownership). "Groups of coins come on the
market all the time, and it's very rare that there's a problem," Berk
says. "The sellers never told us anything about the coins' origin."
And because Romanian authorities hadn't yet identified Lot 26 and
other Sarmizegetusa artifacts as stolen—or even from
Sarmizegetusa—dealers and auction houses took the sellers' word that the
bracelets and coins were legitimate. "At the time there was no claim
from Romania for this item, so we were not aware of any cultural
property issue," Christie's spokeswoman Sung-Hee Kim wrote in an email.
LInks
https://www.youtube.com/watch?v=P4_zHeC4wmg
Artifacts Linked to Dacia
Meanwhile, authorities in Romania were searching for evidence to tie
the artifacts and coins to Sarmizegetusa. Because almost no Dacian gold
had ever been found, some experts argued that the bracelets must be
fakes. (Deppert-Lippitz never doubted they were genuine —a forger would
be crazy to make a fake bracelet out of two pounds (1 kilogram) of gold,
she points out.)
As archaeologists in Romania debated, a man who lived near
Sarmizegetusa offered a stash of coins directly to
Oberländer-Târnoveanu, claiming he'd found hundreds in a relative's
chimney. "I was sure something was happening in the area. There was no
clear data about details," he says. "But it was obvious the coins had
fresh soil deposits."
In 2001, curators got their first big break: A young Romanian man
contacted Deppert-Lippitz hoping to have two spiral bracelets
authenticated and appraised. As soon as she saw the gleam of gold in her
Frankfurt office, she remembered reports from Romanian colleagues about
looting at Dacia's holy city—and the mysterious Lot 26.
Like the bracelet in Lot 26, these too were massive—more than two
pounds of solid gold apiece. And the craftsmanship was unusual: The
techniques used to shape and decorate them were unlike those of typical
ancient goldsmiths. Whoever made the bracelets was more used to working
with iron, a Dacian specialty.
Deppert-Lippitz played along, hoping to get more information. The man
said his brother in Romania found the bracelets at an excavation. As
soon as he left, she notified prosecutors and museum officials she knew
in Romania.
Over the next five years, Deppert-Lippitz quietly brokered a series of deals that allowed the Romanian government to buy the bracelets back from owners in Europe. Part of the buyback arrangement meant revealing the identities of the sellers, which helped authorities build cases against the looters.
Over the next five years, Deppert-Lippitz quietly brokered a series of deals that allowed the Romanian government to buy the bracelets back from owners in Europe. Part of the buyback arrangement meant revealing the identities of the sellers, which helped authorities build cases against the looters.
Coins were also recovered in the United States after the FBI
contacted Berk for help tracing buyers. Once again, Romania bought the
coins back. In the end, a number of looters were convicted in Romanian
courts and ordered to repay close to a million dollars in damages.
Because the gold was looted, archaeologists are missing vital
information that could provide clues to how and why the Dacians buried
it. Still, the treasure is helping researchers understand aspects of
Dacian society and religion.
Dacian Culture Reassessed
Hoards of coins and jewelry are often hidden in times of conflict; if
the owners are killed, they're lost. The Dacian gold deposits are
different. Take the dozens of coins that have surfaced: They're crude
copies of Greek and Roman designs, and Deppert-Lippitz says they stand
out for their uniformity. Look at a handful of change from your pocket.
Each coin is different, worn and scratched from circulation—unless it's
new, then it's bright and shiny.
The Dacian coins are all freshly minted. Even the heavy gold bracelets, now under glass at the National History Museum of Romania,
show no sign that they were ever worn. "That doesn't happen in real
life," says Deppert-Lippitz. "They were manufactured just to put in the
ground." Chemical tests on the bracelets show they're made from local
gold, probably panned from rivers running through the mountains around
Sarmizegetusa.
Based on the pristine condition of so many Dacian coins and
artifacts, Deppert-Lippitz argues that the Dacians had no concept of
money. Instead, the gold objects were religious tokens, intended solely
for sacrifice. "Gold was holy," she says. "It belonged to the gods, or
spirits."
The Romans, Deppert-Lippitz says, simply couldn't wrap their minds
around Dacian customs. In Cassius Dio's account of the wars, he
describes the Dacian king, Decebalus, diverting a river and hiding "much
silver and gold and other artifacts that can survive moisture" in the
riverbed. After Decebalus's defeat, a Dacian prisoner revealed the
treasure's location.
Cassius Dio probably had his facts right, but his interpretation
wrong. Deppert-Lippitz has no doubt that Decebalus buried a great
treasure near a river. But he wasn't hiding the gold from the Romans,
she insists, but sacrificing it to the gods, calling on their divine
help for his life-and-death struggle against Trajan. "Water and caves
were portals to another world," she says. "These aren't hoards, they're
sacrificial deposits."
LInks
https://www.youtube.com/watch?v=P4_zHeC4wmg