This is an extract of an inteview taken by Kerry Cassidy to Jordan Maxwell before he passed away.
So much of real knowledge and wisdom is hidden
because the people who run this planet feel that true knowledge and
wisdom of how the world really works is knowledge that you don’t
need to know – all you need to do is just go out and do your
job and have fun and watch your basketball and stay out of the way of
the adults that run the world. I never bought that.
I’ve said this, and maybe many
hearing me now have heard me say this, but I’ll say it again –
that the white man’s establishment comes from Europe. And
northern, southern... well, all four: north, east, south and western
Europe, even at the time of the Roman Empire and before, that whole
section of Europe that we call the center for the white man’s
presence on the Earth was quite literally ruled over – ancient
Europe was ruled over – by a priesthood called the Druids.
The Druids were the ministers, the priests, the judges, the
lawyers; they were the religious leaders.
So it was
priesthood that dominated Europe. It still does. Europe is still a
Druidic country, and America is a Druidic country. Unless you
understand the Druidic system, then you’re never going to
figure out what’s going on in America and England.
One
of the most important symbols in the Druid system was a magic wand,
like Merlin the Magician with a magic wand? And also, the orchestra
leaders and conductors always have a magic wand and you had better
play to the tune of the master. He directs you to play and he directs
you to stop with the magic wand, so you’re dancing to his
music. Okay?
Magic wands were always made out of the wood of
a Holly tree. It’s made out of Holly wood. Hollywood is a
Druidic establishment and the symbols, the words, the terms, the
stories, are designed.
Think about it. Think about how
Hollywood does what they do. I’m not saying they’re evil,
I’m just explaining how Hollywood works.
You have,
first of all, a story, so somebody has to write the story. All right?
So now you’ve got a story. Now you have to give it to a
screenwriter, who’s going to adapt that story into a screenplay
because you can’t just tell the story, you have to design it to
be a movie.
Now once you do that, then you’re going to
have to hire the actors – very important: actors --
because you’re going to need people to act the part. It doesn’t
mean that they actually have human feelings. No, no, they’re
being paid to act like they care, to act like they love
someone. It’s an act.
And so you pay actors to act out
the part that the screenwriters have written, and you want to make
sure the actors do it just right, so you have to have a director and
he’s going to direct everything you say and do the way he wants
it said.
Then you have, of course, the producer and he’s
also subjected to the executive producer who’s producing the
money, and so all of this is a whole system of putting together a
system of a story that tells you a story. It causes you to think in
terms of what you just saw, so that people go out from the movie and
think in their minds: This is the way you normally would react to
a situation, the way that the guy in the movie did.
And
so that’s why today in the Western civilization, especially in
the West, our ability to work with each other and live together as
humans is so screwed up, because we‘ve been watching so much
television and so many movies and so much silliness coming out of
Hollywood; so much violence, and sex, and drugs, and all the rest of
it, that people have no idea in the world how to live anymore.
They’ve lost their humanity.
KC: Okay, so you’re
saying that in many ways Hollywood movies and television are actually
sort of doing behavior modification on people...
JM:
Precisely.
KC: ...to get them to behave in certain ways, to
think is socially acceptable and then people actually go out and they
act the way they’re ”supposed” to act, rather than
the way they really feel in any human situation.
JM:
Exactly. Precisely.
KC: So it cements the social structure.
JM: That’s it.
KC: Okay. But
basically we’re talking about the beginning of a reign with
this king, who is a Sun [and/or Son] and he’s basically going
to take control of the world.
JM: Right. Of the whole Earth.
KC: Yeah. And...
JM: And the destiny of the human
family – period.
KC: Okay. And do you know where that
destiny is headed? In other words, what is unique about this Son
[and/or Sun] and his proclivities, his point of view, where he’s
coming from that’s different from what we’ve had before?
JM: I think that the agenda of this one who is to come is to
mutate the human race. I believe that is what is the agenda, is to
mutate the human race – not necessarily evolution, though I
believe that evolution has its place in the world.
I think
that there are things which do evolve. And I’m not talking
about man coming from monkeys because, obviously, man did not come
from monkeys -- man is evolving into monkeys. [Kerry laughs]
And so, that’s the problem. There is a place for evolution, but
that’s not what I’m talking about.
This ancient
story, coming from the ancient and prehistoric world, has dominated
all the cultures of the world. What that implies, I believe,
is there’s going to be some kind of a mutation of the human
race in order to take the human family on the Earth to a new style of
life in the universe.
And so, what will be lost will be your
humanity, your ability to show love and kindness to other
people. There will be no room for that. Emotions – there will
be no room for emotions. There will be no room for the American
system of freedom, liberty, and justice for all. That’s gone.
That’s out. There will be no more freedom, liberty, and justice
for all. No more family love, no more humanity, man reacting to man.
No. All of that’s going to be gone.
KC: Aren’t
you also saying, though, that there is a race of humans being...
actually that this isn’t going to start in the future, that
it’s already started.
JM: Oh yeah. It’s already
started.
Link
https://projectcamelot.org/lang/en/jordan_maxwell_interview_en.html