Australia’s police forces are buying up devices capable of causing long-term hearing damage from a distance.
The controversial Long Range Acoustic Device, or LRAD, has been used to disperse crowds in protest situations in the US.
Its use at a Pittsburgh G20 protest in 2009 left University of Missouri English professor Karen Piper with permanent hearing damage.
‘We had seen these machines there [that] looked like an armoured vehicle with a satellite dish on top,’ says Piper, who had been observing the protest from a distance.
“Then this machine emits this long piercing noise. It’s a very high frequency, it really hurts your ears.
‘I started to not feel well immediately after that. I felt dizzy and nauseous and disoriented.’
The LRAD is billed as a non-lethal method to disperse a crowd. Given its unpleasantness, one might be able to justify this on the grounds that it is only used to prevent death or serious injury, yet the side effects on those in its path, like the mandated vaccines against which they are protesting, are permanent:
Piper’s hearing continued to suffer in the following days and months. Tests eventually revealed the effects caused by her exposure to the LRAD were permanent.
‘It’s actually nerve damage, and those nerves will never recover,’ she says.
The AFP has them in their arsenal:
The Law Report contacted all of Australia’s police forces and found more than half now own LRADs.
Victorian, West Australian, South Australian and Queensland police, as well as the Australian Federal Police, admitted to purchasing the device, while New South Wales and Northern Territory police would not comment.
The AFP have the weapon, they were pictured outside Parliament House, wearing earplugs, and were pictured with a weapon that looks exactly like an LRAD. No wonder Kershaw looked like he wanted to get out of there in a hurry.
Melbourne University sound and law expert James Parker says potential use of the LRAD in Australia is deeply troubling.
‘The secrecy of the state around the tools, the weapons that it has and is capable of using on its population is something to be really, really concerned about,’ says Parker.
‘It expands the nature of police/state/military authority in a certain kind of way. It makes sound itself part of the arsenal that police and military and state institutions have.
‘I think there’s a question about whether or not we want sound to be used in this way at all.’
Academia and the ABC used to care about this sort of thing back when they were the apologists for the paramilitary Antifa terrorists who essentially had the run of the streets, meaning that only Marxists could protest without getting beaten up. Now that ordinary people are protesting against the implementation of Communism 2.0, academia and the ABC have been noticeably silent.
It is also telling that Australian police forces felt these weapons were necessary a few years prior to the government putting the entire nation under house arrest to stop the sniffles. Like so many aspects of the plandemic, the infrastructure was already in place well in advance.
Note that the LRAD has military applications. (The fact that it has an acronym should be a dead giveaway):
The LRAD is marketed as a communication device, and was first used at sea by the US Navy and commercial shipping companies to ward off pirates.
Later, the device was deployed by the US military in Iraq and Afghanistan to clear buildings.
‘They could play the LRAD’s alert function at high volume, people wouldn’t be able to stand it, they would run out and the snipers could pick them off,’ says Parker.
Parker says LRADs have since been marketed ‘quite aggressively’ to military and police forces around the world.
None of Australia’s state police forces would provide The Law Report with guidelines for LRAD use, though some said they would only be used for communication, such as in siege situations.
Yet Parker says the nature of the technology and its ability to cause harm to bystanders means it should be the subject of much broader debate.
‘Police and military have been able to hurt people for a long time—they have batons, they have guns—[but] the LRAD is indiscriminate,’ he says.
‘Whoever happens to be in the way of the soundwave is equally likely to be affected, no matter who you are, no matter why you are there. At least a baton should in principle be aimed at somebody, while the LRAD is aimed at everybody.
‘Whether or not my hearing is damaged at a protest because the police use the LRAD, I think there’s something malevolent about the fact that I’m just being compelled through sound to act in a certain way. I’m being treated as a brute biological entity.’
So there you have it. The Australian Federal Police are using a military grade weapon on ordinary people who refuse to inject poison into their bodies. This should be the biggest news story in the country, but naturally the Lying Press are silent on this matter.
Our struggle is not simply about removing the vaccine mandates, nor ending the replacement immigration program which was used to weaken us in preparation for the current global depopulating program. The governments which are implementing Covid Tyranny must be entirely removed, as must the Lying Press which covers for them, the security forces which protect them, plus the organisations and people that our purported “democratic” governments ultimately answer to.
Hint: It’s not us. We get the sound weapons.
Link
https://xyz.net.au/2022/02/australian-federal-police-used-sound-weapon-on-canberra-convoy-protesters/
Bucegi Mountains Romania
Peter Moon
Michael Salla
Hall of Records
Tables 9 ft heights
Holographic Technology
Radu Cinemar
Past of history became very clear.
Get in front of the holographic projections and get the real history of human kind
Talks about the Genesis of humanity.
DNA formation orchestrated by Extraterrestrials.
The creaters of the hall of records were very tals.
Mystery of Egypt. is the third book in the series.
Pieces of Stones record holographic piece of history.
Inside the Earth book talks about the science of the Black Hole.
Paymaster William Thomson, a visitor to the island in 1886 with the US Mohican, recorded the following observations:
As should be emphasized, these examples of moai maea were observed and collected in the 19th century. Being portable, however, they were subject by their owners to being moved for safe-keeping, storage or other purposes. Many of the objects mentioned above can be found in museums in Europe, South America and the United States.1
The 1955/56 Norwegian Expedition obtained nearly a thousand small stone carvings, the majority of which had been stored or displayed in inheritable private family caves. The existence of secret caves on Easter Island has long been recognized. Roggeveen, who in 1722 was the first known European to have encountered the island, suspected their presence, and their existence was well-noted by subsequent visitors (Heyerdahl 1975 pp.78-81, 148-150). The circumstances under which the Norwegian Expedition's objects were collected were very complex and are described in detail in an article entitled, "Cave disclosures to the Norwegian Archaeological Expedition in 1955/56" as published in Heyerdahl's 1975 volume, Art of Easter Island (1976). A general, popularized version was presented in the book, Aku-Aku (Heyerdahl 1958). Additionally, expedition member and archaeologist Edwin Ferdon provided his version of events in his expedition narrative entitled One Man's Log (Ferdon 1966). In short, the sculptures were obtained through a very complex series of personal interactions involving gift-giving, barter and purchase.
 |  |  |
The issue of age is a difficult one. Stone sculptures in general are notoriously hard to date, so at this time it is not easy to ascribe specific ages to these objects. There are, though, several sculptures representing post-missionary themes such as rabbits and horses thus indicating a post-mid-19th century date.3 The possibility that others of these objects might indeed possess an interesting degree of antiquity, however, cannot be ruled out.
 |  |
In 1964, Henri Lavachery was one of the few to examine these objects where they are housed today in the in the Kon-Tiki Museum in Oslo, Norway (Lavachery 1965 pp.156-159, 1975 p.13). He wrote:
 |
That some of these objects might be of a cult nature can also be suggested by their artistic themes. There are several representations of human skulls which contain a pecked circular depression on the cranium.4 The explanations provided by the owners was that they were for the purpose of containing powdered human bones. Several of the caves containing the moai maea also held burials.
 |  |
What might these objects collected by the Norwegian Expedition represent? I've already mentioned the comments of some of the 19th century visitors and here are a few more suggestions: It's possible that some of these sculptures are 19th century trade objects which were stored in caves for safe-keeping. If this is the case, however, there was a surplus and the often bizarre themes depicted would be arguably of less appeal to visitors than say the traditional moai kavakava , and so forth. Another possibility is that these objects are models of themes previously represented in wood, and given the limited longevity of wooden objects, and the scarcity of wood, stone was turned to as a more permanent medium. Yet another idea: whereas the missionaries compelled the Islanders to burn or otherwise destroy the wooden cult images and rongo-rongo tablets, perhaps the hidden stone images represent an attempt to shelter the old from the intrusive and transformative new.
Let me summarize some of my points as follows:
In the title of my paper, I used the term "aberrant art", a term which I feel is appropriate given that the cave sculptures remain controversial, if not confounding. Edwin Ferdon offers the following insightful perspective:
Unfortunately, thus far it has not. Much remains to be studied of this interesting collection including a detailed analysis of motifs, relative chronology and assemblage patterns. In short, regardless of the age or circumstances, the moai maea collected by the Norwegian Expedition and others before represent a genuine Rapa Nui art phenomenon.
The information is recorded in the book "The Serpent Race and the Deep State" by Valiant Thor
On the island are sculptures of different kind that those that brought Easter Island the world wide fame.
The creators of these sculptures were conquered by thise who erected the later type and those were overthrown by those that toppled both of them and their statues.
Thor Henderdahl has published a book Aku-Aku.
Link
https://community.plu.edu/~ryandp/EIart.html
We are in a Weather War.
Chemtrails are behind it
Similar Texts can be found in all meteorological news.
Confusing population.
Toxic material is sprayed over us.
Civilian population is used as testing ground in the winter weather roller coaster.
will nuclear winter will cancel out global warming
Nuclear Winter was used in cold war era.